Ediciones Los hijos de la teta del ciclón (1991-1993): an unconfessable literary community
The present article aims to reflect on a craft publishing project that at the beginning of the nineties, brought together a group of sons and daughters poets of the militancy persecuted in the seventies. For that we are going to analyze that Silvia Schwarzböck defined as «the frights» in the post-di...
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| Formato: | Artículo revista |
| Lenguaje: | spa |
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Universidad Nacional del Litoral
2019
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/8696 |
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| Sumario: | The present article aims to reflect on a craft publishing project that at the beginning of the nineties, brought together a group of sons and daughters poets of the militancy persecuted in the seventies. For that we are going to analyze that Silvia Schwarzböck defined as «the frights» in the post-dictatorship aesthetics, to read how the different voices resort to a «postparanoic aesthetic». Then we will stop at the memory policies and aesthetic policies proposed by the texts to intervene in a present marked by impunity for the perpetrators. We consider that this experience is relevant to understand not only the subsequent emergence of H.I.J.O.S., but also the artistic productions elaborated by this generation, which had an intensive agglutination stage throughout the 2000s, in cinema, plastic arts and literature. It also allows to claim various forms of association between family members and a wider community, in solidarity, in a context marked by the «theory of national reconciliation». |
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